"Rosa Mística": "The clinical diagnoses that have been made to Santa Rosa are unfair" Trade Lighting cinema



Almost forty years lasted Augusto Tamayo to tell the story Santa Rosa de Lima, the first woman born in America to receive the canonical recognition of the Catholic Church.

The actress Wendy Vásquez was about to put herself in the role of the protagonist, but Tamayo's project was lost due to lack of money. Finally, ten years later, Fiorella Pennano was in charge of the interpretation of the criolla saint.

"After a casting of 25 actresses, I met Fiorella Pennano, who is amazing, what I was looking for, a protagonist who could personify Rosa de Lima at the age of 16," says Tamayo, just days before he celebrates the saint commemorates and finally the tape.

The director of "La fuga del Chacal" and "El bien esquivo" undertook a meticulous documentary research to specify the film, which at the same time showed the honor he wanted to give to Isabel Flores de Oliva for a long time. "The episodes I have on the tape are mostly testimonials that are documented, with a few exceptions, where the scenes are purely based on fiction, everything else is in the biographies and testimonies," explains the filmmaker.

MYTHS AND MATICES

The film shows the isolation, fasting and self-flirting to which Rosa de Lima was subjected from a young age to reach a divine spiritual state. However, Tamayo believes that his passion and determination should not be confused with madness. "The clinical diagnoses that have been made Santa RosThey are unfair. She was a person who acted according to the context, convictions and beliefs of that time. Even the concept of madness is culturally relative. What will they tell us over the next 200 years if we survive? "He says.

Transgressive even for their religious environment, Santa Rosa de Lima she never became a nun and chose to live a devoted life outside the monasteries, like a tertiary layman. Today she is perhaps the most ubiquitous woman in the life of the Peruvians: in the country there are 72 cities with her name, hundreds of streets, districts, institutions and even the bill of 200 soles. Despite all this, the film also focuses on the functions that humanize.

"Rosa was like the other people of her time, and at the end she reconciles with her mother, who was always an obstacle to her plans to marry her to improve the family's economic situation," says Tamayo. current, in which the role of women must change in order to achieve equality, it is essential to include these issues.

Mystic Rose

"Rosa Mística": expected film about Santa Rosa de Lima (Photo: Tondero)


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